My images begin with the body in motion, a gesture, a fall, a turn, and end somewhere else entirely. Fabric enters the frame as a second skin, moving with and against the body, catching light, resisting gravity. Through an extended process of digital manipulation in camera and in post-production, I dissolve the documentary moment into something unmoored from its origin. What remains is not a record of movement but a residue: a visual echo, like a garment after it has been worn, holding the trace of motion without the body itself. I’m drawn to the tension between presence and disappearance. The figure appears and recedes, recognizable in fragments, the curve of a spine, the blur of an outstretched hand, the pull or collapse of fabric, before dissolving into fields of color, texture, and light. The body becomes a landscape, becomes weather, becomes pure form.